I
had my first date with Peggy Whitely for the Junior Prom on April 25, 1958. By
the end of that school year, sometime in early June, I pinned her. Now don’t
misconstrue that expression. There was nothing untoward about it. I said
pinned, not nailed. For the younger folk out there who may not be familiar with
this practice, it meant you gave a girl your school pin and you became a steady
couple (in college it would be his fraternity pin). This was kind of a prelude
to giving the girl your class ring, which we didn’t have yet, to hang about her
neck as a symbol that she was yours. Now I can hear the chorus of Women Libbers
out there booing and hissing, Well, get over it, this was a custom nearly 60
years ago and that is what the heck pinning symbolized, like it or not.
We continued dating
all summer into the fall of our senior year. Peggy was a horsewoman and I went to horse shows with her, including the big one at Ludwig’s Corner on Labor Day. She rode in some of the ring events, but
didn’t win any place ribbons.
We bowled, played miniature golf, danced, roller skated, went
to the movies and went somewhere every week, usually several times each week, but
through all that time I had only kissed her good night. I realized partly that
was my lack of aggression and partly my shyness, but the truth was there was no
magic there. Peggy and I got along. We enjoyed the times we spent together and
we had no difficulty talking.But that's a friendship, not a love affair.
Our relationship jumped the shark on a double date with
Richard Wilson at the Exton Drive-in.
I suppose I must describe what a Drive-in was. I’m not
certain anyone of Millennial age or younger is familiar with the phenomena. They
were very
popular in my youth and there were many, many around. Today they have
practically disappeared from the scene. A Drive-in was a movie theater without
the theater. There was a field made into a parking lot. The parking spaces
slanted up on mounts of packed earth or concrete. At the front of the lot was a
giant movie screen. In the middle of the lot was a small building. Inside were
the projection room, restrooms and usually a refreshment stand. You could buy
popcorn, hotdogs, hamburgers, fries, candy, soda and several other edible items
at an inflated price. You carried your purchase to your car in a cardboard box.
One of the pathetic sights at a Drive-in was some poor soul, loaded down with
his refreshments, wandering aimlessly about because he forgot where he parked.
They would project ads for the refreshment stand during intermission. We always
laughed at the poor construction of one message.
“Our restrooms are located in the center of the field. Please
join the folks chatting and chewing…”
There was a pole with a speaker at each parking space. You
took the speaker off the pole and hung it over the glass of a side window. This was how you heard the voices of the actors on the screen. The
beauty of the Drive-in was the privacy. You could talk if you wished. A family
could bring the kids knowing they wouldn’t disturb anyone around them if they
fidgeted or fussed. Teenagers favored it as a great make-out spot. My friends
and I went to the Drive-in a lot, especially to the Exton and The 202 south of
West Chester. Both are gone now.
I drove on this double date, naturally. Once the movie began
Richard and his date disappeared from my mirror’s view somewhere in the back
seat. They were “smooching”, “petting”, “making out” and going at it “hot and
heavy”. Peggy and I were watching the film. She had moved over against me. I
put my arm around her shoulder.
She bit hard.
I yanked my arm back from around her and we watched the rest
of the movie sitting apart in silence. I knew this relationship was doomed from
that moment. It was ridiculous. We had been going steady for five months and
she is going to bite my hand because I put an arm around her? I wasn’t going to
do anything else. I wasn’t going to put my hand anywhere it didn’t belong.
It wasn’t very long after the night of the teeth-marked thumb
that I got a phone call from Ronald
Tipton. He informed me there was a dance coming at Downingtown.
“I think we should double date,” he said.
“We can’t,” I said. “Downingtown doesn’t allow students from
other schools in.”
“It does if they are dates of the opposite sex.”
“So?”
“So,” says Ronald, “I take Peggy in as my guest and my date
takes you in as a guest and we switch inside.”
That would work, so I
told him to made the arrangments.
After some chitchat with the parents, we left. As we headed
to me car Peggy took my one elbow and Carmella took my other.
At the car, Carmella jumped quickly into the front seat first.
I shrug. Ronald and Peggy slip in the back and then I get in the Driver’s Side.
It was a short drive before we arrived and parked at the high school and got
out. I pulled Ron aside and asked what’s going on. He says it is all right, we
have to look as if Carmella is my date. I should walk in with Carmella and he with
Peggy until after we get inside and then we’ll switch around as planned.
Only inside the switch doesn’t happen. Peggy sits down next
to me and so does Carmella on the other side. I now understand that for whatever
reason Carmella thinks I am her date.
And
I am about to do another bad thing.
light. Peggy is a blond with pale skin and blue eyes. Carmella’s skin is very tan, her hair almost black and her eyes brown. This girl captivated me. I pay more attention to her during the evening than Peggy. I do nothing to convince Carmella she is Ronald’s date. I dance with her more and I talk to her more and I have feelings toward her I never felt for Peggy.
It is not a fun drive from Downingtown to Bucktown that
night. It was a wonder ice didn’t form on my windows. Peggy doesn’t speak. She
leans against the passenger door looking angrily straight ahead. She runs from
the car into her house when I drop her off. My dating of Peggy has ended.
My dating of Carmella Cressman or Carmella Baxter has begun.
She was a mysterious girl with two last names and I never did figure out which
was the right one. I assume she was the daughter of the woman in the print
dress for there seemed to be a similarity to their features, certainly their
hair. She might have had a different father than the man in the smoking jacket
that greeted us. Her mother probably remarried, but did she marry Cressman or
Baxter first? You can see some resemblance between the daughter and mother. The
Philadelphia Orchestra or the Academy of Music employed her father in some
capacity. There was usually classical music playing in the home when I picked
her up. That first night they had “The Voice of Firestone” on the TV. The
Baxters or the Cressmans or whomever were very formal and genteel.
Carmella is warm to Peggy’s ice. I like her very much. I find
her beautiful. I believe from the get-go this relationship will last longer and
with more fire than my time with Peggy. And it might have if I had not made a
fatal mistake. I decided to show her off to Richard.
No, Richard did not steal her away.
Well, I was wrong. Although nothing had been mentioned that
evening it was given a lot of notice. The next time I called up Carmella to ask
if she wanted to go out, she told me her parents didn’t want her seeing me
anymore.
Well, thank you, Richard!
During this same period I was carrying on a correspondence
with two girls whose address I got from Ronald Tipton, Dotti Juris in
Philadelphia and Linda Wood in Canada. I am using that word in the present
sense, as a written communication between individuals, not in the snickering
sense of dear Miss Hurloch of its meaning in the 19th century.
I began dating Pam steadily and would do so the rest of the
year, but in the spring of 1959 it got complicated because Suzy also entered my
life.
There are people you like and there are people you really like. I liked Pam and she was
very pretty, and it was always uplifting to walk into a room with her on my
arm, but Suzy touched something deeper in me. Pam was tall; Suzy was short,
under five foot. Pam was beautiful; Suzy was cute. Pam was stylish and
pleasant; Suzy was always smiling and was adventurous. She was a risk-taker.
Suzy
was already a pilot. She had a license and flew a Cessna out of Pottsgrove Airport whenever she could. That was one of our primary activities, flying on Saturday morning. Since she was only 17 she had to have an adult pilot with her when she flew. There were always three of us in the plane.
At first I wasn’t sure about this aspect of our going out. I was afraid of height, now I was on a runway in this tiny plane about to go higher than I had ever been. I was in the rear seat. I could see the prop spinning as the plane gained speed down the runway. It was like a wavy yellow line. The plane rose and I gripped the edge of my seat tightly. It is a wonder I didn’t pull out the stuffing. I peeked out the side window and when I saw the wheel below hanging over nothing I felt fear in the pit of my stomach. I found if I stared ahead I lost that terror. I stared straight ahead.
At first I wasn’t sure about this aspect of our going out. I was afraid of height, now I was on a runway in this tiny plane about to go higher than I had ever been. I was in the rear seat. I could see the prop spinning as the plane gained speed down the runway. It was like a wavy yellow line. The plane rose and I gripped the edge of my seat tightly. It is a wonder I didn’t pull out the stuffing. I peeked out the side window and when I saw the wheel below hanging over nothing I felt fear in the pit of my stomach. I found if I stared ahead I lost that terror. I stared straight ahead.
One Saturday she flew south. She was following the Pottstown
Pike, which was like a black, tangled ribbon dropped below us. We were past
the area of Pughtown and there was nothing beneath us now but trees. Suzy took
the plane into a 180-degree bank. She went into it too sharp or something. The
engine conked out. Now we were simply coasting on a slight downward path over
all those far away trees, which were getting less far away by the minute.
Suzy was bouncing about throwing switches and so was the
co-pilot. They got the engine started again and we flew directly back to the
airport. Suzy stepped off the plane and threw up on the tarmac.
Next Saturday we were flying again.
I
went to Downingtown to pick up Ronald. Eight thirty came, but the band played
on. I was pacing the floor of the hallway. We were going to be late. It was
nine o’clock and finally the band finished up with one last cymbal crash and
Ron came out. He had to put his horn away and change into his tux. We got that
out of the way and I rushed him out the door. We still had to pick up Suzy and
then Pam. I was frantic. They were going to think we stood them up on prom
night. As it was we were over an hour late getting to the dance, but everybody
seemed to have a good time, maybe all except Ron. He was a little uncomfortable
dancing cheek to belly button.
Ron was six foot four and Suzy was four foot eleven. Does this look like a guy comfortable with his date? Or he may have been uncomfortable because of other secrets he was carrying.
There was a post prom party we attended and when that ended sometime around 2:00 AM we joined some others from my class and went bowling in Reading. There we were in the wee hours of the morning with the girls bowling in their gowns and we in our tux. We certainly brought elegance to the lanes. It was after dawn when we got the girls home. I didn’t get back from dropping Ronald off until 7:00 AM.
Ron was six foot four and Suzy was four foot eleven. Does this look like a guy comfortable with his date? Or he may have been uncomfortable because of other secrets he was carrying.
There was a post prom party we attended and when that ended sometime around 2:00 AM we joined some others from my class and went bowling in Reading. There we were in the wee hours of the morning with the girls bowling in their gowns and we in our tux. We certainly brought elegance to the lanes. It was after dawn when we got the girls home. I didn’t get back from dropping Ronald off until 7:00 AM.
I suppose it was that it was fated for Jon and Suzy to be the
cutest couple. She and he made up after the prom was over and she went back to being his steady before the year ended. I continued dating Pamela well into the summer after graduation.
Suzy and Jon did not get married. This was a high school
romance that went no further. By the fifth reunion Jon was single and at
helicopter school. For a while he was married to a Sue D. He must have liked
the name Susan, and then later he was married to Patricia Weil and has 1 son
and 3 daughters. Beyond 1994 I don’t know too much, except he is still alive
and well and living in Florida.
Five years out of OJR, Suzy was married to Albert Boerner,
Jr. with two children. Albert was out of the picture and Suzy was married to
Gary Mahr with three children by the tenth reunion. Her adventurous spirit
continued into adulthood. She took up motorcycles. One day she hit something on
a ride that flipped her Harley and she suffered several serious injuries,
including some damage to her nerves. She gradually recovered from her injuries.
She
passed away in August of 2014. Here is her obituary from the Pottstown Merury.
Susan J.
(Cannell) Mahr, 73, of Pottstown, wife of Gary L. Mahr, passed away on Saturday
at Pottstown Memorial Medical Center.
Born in Pottstown, PA, she was a daughter of the late George
Cannell and the late Violet (Groff) Cannell.
Susan was a graduate of Owen J. Roberts.
Susan was a member of Berean Bible Church, Christian
Motorcycle Association, and was a notary & pilot.
Surviving beside her husband are
two sons, Cale S. Mahr and his wife Bernadette, Sanatoga, David S. Bonerner and
his wife Penny, Reading; two daughters Heidi S. wife of Craig Stout, Boyertown,
Wendy L. wife of Tom Brynan, Phoenixville; a sister Patricia Laverty,
Pottstown; nine grandchildren, and one great granddaughter. -
In 2001, I combined Suzy’s flying and motorcycle accident,
Jon helicopter pilot pursuits, Dick Kuntzleman’s family bar and Lane Keene’s
hunting accident in to a story called, “Pour Out My Life at the Old German
Tavern”.
My high school
graduation was on June 2, 1959. I was 17 years old. Our class sat down the toward front of the auditorium until our individual names was called. Then we went up
steps on the right of the stage, crossed to the middle to receive our diploma
and exited down the steps on the left side. There were speakers around the
stage and other equipment. One of the early recipients tripped on the cables
starting across the stage and everyone who passed that spot afterward caused a
fountain of sparks to shoot upward. Fireworks for my final day just seemed
appropriate.
At our fifth class reunion I went to the bar to gets drinks for my wife and I. There was a studding blond sitting on a stool. She was wearing a black dress that barely covered her curvaceous body, and as they said about a character on Seinfeld, “they were spectacular!” I ordered my drinks and nodded at her. She smiled and said, “Hello, Larry.”
I turned and stared at her.
“You don’t know who I am, do you?” she said.
I shook my head.
“I’m Peggy.”
I guess that was her form of revenge.
EXCERT FROM "POUR YOUR LIFE OUT AT THE OLD GERMAN'S TAVERN
Inside the tavern, lit by blue and red neon from beer signs,
was the damp cool of a rock cavern. The Old German had the air conditioner
jacked. Sonny’s wet forehead went cold. He found an empty chair at a corner
table and sat down heavy. At the bar three men sat drinking dark beer from
thick mugs.
The Old German ambled over. “Beer?” he asked in a broken rasp
over some distant accent. The Old German had a jagged scar down his cheek and
across his jaw, and a blue tattoo on his upper arm too faint in the bar-haze to
read. Another survivor.
“Whiskey neat,” said Sonny.
He looked at the other men. Knew them all and all his life.
Weren’t they all beat to hell? Wasn’t one of them over forty. Wasn’t one ever
been to war, but each looked like the losing side in a pirate movie. Chucko
Moyer had a missing ear, bitten off at fourteen by a horse he was currying.
Lester Witlach smiled through broken teeth from a mule kick and listed to
starboard on half a foot, the toes chopped off in a hay bailer, symbols and
signs of the farming life.
Sonny had a quarter-inch wide, liver-red scar snaking down
his arm from bicep to wrist bone. It’d been shattered by a tire rim blown off
his rig six years back and it was merciful he got his arm up to deflect the
blow or it’d been his head sailing off into the weeds with the rim.
The other man at the bar was Brook Huzzard, who looked
untouched in the neon glow, except Sonny knew about the glass eye, an irony of
happenstance as it turned out. If you looked close you’d see that eye glinting
brighter than the good one.
The Old German set the shot before him. Sonny snatched it up
and drained it. It stung his stomach same as if he’d swallowed a hornet. He
waved the empty glass at the barkeep.
“Gott almighty, Sonny, you vant the damn bottle?”
Sonny smiled. “Just another shot. But keep me in your
crosshairs.”
“’Nother beer while y’re at it,” said Brook.”
Brook took a stare across at Sonny, his face blank.
EXCERPT FROM "MODESTY"
He came to the bar. He stopped next to her and motioned for
refills. One glance her way and his face simmered with lust. He peeked down at
the roundness peeking from the bodice of her dress, then at the long smooth
thighs more than peeking from the hem.
“Well, hello,” he said.
“You don’t know me, do you?”
He shook his head.
“I’m Maggie.”
He froze. The fresh drinks in his hands splashed dark spots
across his tie. He walked away in a slump of defeat and embarrassment.
Her mother said if a woman displayed modesty men would show
respect. She displayed what modesty hid and the men showed regret.
And that was so much more satisfying.
A fog had risen while we were at the dance. We got lost
somehow wending our way up the country roads to where Roger lived in the hills
overlooking the town. We drove aimlessly. Roger was hidden in the shadows and
began telling ghost stories, apparently oblivious to the pall settling over the
front seat.
I felt her crying. She was fighting it and not making any
sound, but vibrations rippled through the cloth. When she asked to go home, as
she did several times, her voice quivered and broke. But we were lost and I
couldn’t take her home. By the time I found the right road she had fallen
asleep. I dropped Roger off and didn’t wake her until we reached her house.
Red rimmed the eastern horizon. It was dawn.
“Maggie,” I said.
She stepped from the car and walked across the lawn. Her
shoes turned dark from the dew on the grass.
“Maggie,” I called.
“Goodbye,” she said softly and went inside, gently shutting
the door.
I sat shivering in the car staring at the closed door where
she had paused briefly looking prettier than I had known. Her face was round
and delicate and her blond hair light and free. The baby fat was but temporary
filler in the hollow beauty her face someday would be. I waited. I don’t know
for what. It was not that I loved her or she me. It had been the first
infatuation and should have ended differently. I suppose it was the
incompleteness of the final moment.
I called her house later in the week, but her mother said she
had gone out. I never called her again.
And then there was this, because one instance in life can inspire several other things. This scene and song is from a play, "Life Ate Our Homework".
EXERPT FROM"LIFE ATE OUT HOMEWORK"
by Stuart R. Meisel & Larry Eugene Meredith, (2004-05)
YOUNG ART
It has to look as if she is
your date when we arrive. We'll switch inside the gym.
WHITNEY and YOUNG ART get in the back seats. YOUNG
BOBBY gets in last as driver. All four bounce up and down and all make a
grr-rrr-rrr sound as if the car is moving and the engine is running. After a
few seconds they pretend to stop and get out of the car. MARGARITA grabs YOUNG
BOBBY'S left arm, looking up at him. WHITNEY takes his right arm, glaring
across him at the other girl. YOUNG ART trails behind as they go into the
dance. They sit and the two girls surround YOUNG BOBBY. MARGARITA and YOUNG
BOBBY adlib talking and then they get up and dance. WHITNEY sits and fumes. As
they dance, a spot picks up OLD BOBBY keying in the background. They continue
to dance through the song, but on the last chorus the downstage lights off.
OLD BOBBY (Singing)
I'm not proud to declare
My inebriation in her dark
embrace,
In the moonshine of her
hair.
Her eyes were wine
decanters
In the wondrous bouquet of
her face.
I am not proud to share
I became an alcoholic
afloat in space,
Intoxicated on air
Beyond reason and care
Except the drinking in of
her face.
I wanted just a taste
To explore its mystery
To claim it as my drink
Obtain some mastery
On the high beyond that
face.
This is my confession,
I have no precedent; I
haven't a case.
It was an act of passion,
A rash and foolish action
I was becoming drunk on
that face;
I was addicted to that
face.
Spotlight
off.
OLD
BOBBY (Spoken)
Nope, I'm not proud of it,
guys, but when I saw Margarita’s dark beauty I wanted her. I got to the dance
and Whitney might as well been the crepe hanging along the walls. Trip home
wasn't much fun. Pretty quiet ride after I dropped off Margarita and Art, and I
don't think Whitney said boo to me again.
OLD
ART
Never?
OLD
BOBBY
Well,
Hardly ever. I went to the ten-year class reunion. I went into the bar to get
cocktails and...
Lights up downstage. A spectacularly beautiful blond in a sexy
black dress is sitting on a high barstool, nursing a cocktail. She has a great
figure and most of it is showing. YOUNG BOBBY enters and stands right next to
her. He motions to the unseen barkeep.
YOUNG
BOBBY (To Bartender.)
Manhattan
up and a whiskey sour on the rocks, please.
As Young Bobby awaits his order he keeps peeking at the Blond
up and down. The Blond turns toward him and smiles.
BLOND (Whispery voice)
Hi.
YOUNG
BOBBY (Obviously flattered)
Hi. Uh...nice...nice
place.
BLOND (Whispery voice)
Oh, very
nice.
YOUNG BOBBY is stretching his neck about, trying to find a
nametag on the BLOND without success. At this, she leans more forward to reveal
more cleavage.
BLOND
(Double meaning)
Don't you
think it is beautiful this way
YOUNG
BOBBY (Distracted)
Very
beautiful. (Pause.) Ah...the way they have the ballroom.
BLOND (Very teasingly)
You don't
know who I am, do you Bobby?
YOUNG
BOBBY (Startled to hear his name
used.)
No.
BLOND (Triumphantly.)
I'm
Whitney.
We hear
her laughter fade as the downstage lights go off.
2 comments:
Excellent narrative of our common teenage history Lar! This one I will share on my blog. You are so good with the details, much of which I had forgotten. Thank you very much!
Ron
From Gloria White
Petenbrink
Good Morning Larry. Just wanted to tell you how much I enjoy you wonderful writings, And the pictures from our past. Just as I remember these people. I was fortunate enough to have enjoyed growing up in the best of times. Your recollections from high school and beyond are amazing and a delight to read. Thank you again. ( And I was fortunate enough to have been good friends with Peggy during the last years of her life, she was truely a delight.) Have a wonderful day.
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